Ah yes. The enigmatic Lacenaire. https://bonjourparis.com/history/pierre ... ery-paris/
I miss him too.


Ah yes. The enigmatic Lacenaire. https://bonjourparis.com/history/pierre ... ery-paris/
You've jogged my memory now about Lacenaire being a mathematician of some sort....I'd forgotten that. I remember him having great trouble coming to terms with the fact that ELi solved the Rubik's cube so quickly. It really bugged him for some reason. I guess like many people on the board Lacenaire was constantly looking
Perhaps you should invite him to return. If you go to Lacenaire's profile you will see a link to send him a forum PM. The default setting for the forum is that if someone sends you a PM, an notification email will be sent to the email address that you used when you registered for the forum. If Lacenaire has not changed this setting, he will get an email about your the PM.
I get pissed when someone throws thiz out there! Eli genuinely LOVES Oskar!Microwave Jellyfish wrote: ↑Mon Jan 04, 2010 1:45 pm... when the "new Håkan" theory comes up in a review, and than the critic starts to see the film only from this point of view, calling it (exact quote) "one of the most cruel stories of the decade: a tough drama about the will to control, bad choices and being used". And then you want to tell them, that it's the brilliant ambiguity of the film, but it actually is a love story, and if you've read the book... - and at that point, you know that you can't convince them, and starting to preach about what JAL said in interviews and the whole thing about real love is well, it's not worthy, there's no way they will take you seriously.
But still, the feeling is there, that it's not right when they write this about the film. Anyone felt the same?